It has been a while since I had a post about record-shattering movie 🎥 box office news, but this latest news is big: the latest Marvel effort Black Panther had a weekend domestic haul of $201.8 million, and is expected to haul in $235 million including the Monday holiday.
It is the biggest February domestic opening of all time (shattering Deadpool’s record of $132 mil), the biggest pre-summer weekend, the biggest non-sequel opening weekend, and is the fifth highest opening weekend, ever!
That’s not all the records that fell. Here is a rundown at Forbes of all the records it set.
Is February the new July when it comes to the box office? I dunno about that, but we’re certainly seeing a situation where maybe one movie a year can open in Feb. at the cinemas and do blockbuster numbers. 🍿 🍿 🍿
I forgot to put this up, but I figure I should put it up before it gets too stale: the 2017 Box Office results. Obviously, the ultimate triumph of Star Wars: The Last Jedi was overshadowed by big jerk Harvey Weinstein and all his awful nonsense.
As an aside — I see that more articles have started to appear, talking about a growing backlash to the #MeToo movement. There was one piece by Andrew Sullivan that was particularly notable, saying it was time to resist the movement’s excesses, and it also mentioned that letter signed by 100 French women in Le Monde that took a similar stance.
Actress Catherine Deneuve was one of the women who signed that letter and I notice she has now had to dial back on it a bit and apologize to sex assault victims, after people got outraged on Twitter over it.
(Seriously, I think I’m with the people who worry this #MeToo movement is going too far. Due process has taken a hit, and I dislike the puritanical overtones of it. Of course, anyone who says this immediately gets piled on on social media — which is the surest sign of a witch hunt. Dialing back the hysteria would seem to be a good thing, but keep in mind, this is 2018 and this is a tall order.)
Enough of that. If you are wondering what happened at the box office this past weekend, here’s the story of how Jumanji took top spot.
When it comes to the things I am interested in, I have long had a policy of “if it’s not fun anymore, I’m out.” I am fast reaching that point with the entertainment industry.
They are depressing, and their entire product is also depressing. Sorry, folks, but that is how I feel right now.
I’m not tuning in the Golden Globes, it looks like a miserable affair. These actresses who are wearing black tonight have legitimate gripes, but I have no interest in watching a funeral. As for the guys, who can root for any of them? I’m sick of Hollywood’s cesspool, and fed up with the film and TV industry’s self-importance and one-party politics. Drain the swamp, already.
I am currently tuned to the NBA, following a whole weekend of watching the NFL playoffs. In between times, I am checking my Twitter feed to see the usual cut-down reaction from conservative pundits and other critics to the Golden Globes; it’s more fun than the actual show.
UPDATE: I guess the real news to come out of the Golden Globes is that Oprah is running for President. (!)
Merry Christmas, folks! I notice my latest Cairns on Cinema column about the Walt Disney Company and its recent domination, especially regarding Star Wars and its recent takeover of Fox, is now up. About time.
It is the second biggest opening weekend of any movie of all time. Story here.
Story of last’s night previews here.
I have no life at the moment and therefore I have no time to post, so instead here are Retweets of important happenings from the weekend, starting with the ‘Riders…
And then NASCAR…
Finally, news about the box office egg laid this opening weekend by Justice League.
That is all.
It keeps on getting worse and worse: the Tomatometer is now down to 37 percent.
There has been a lot of controversy out of Hollywood lately. The latest scandal/outrage, one which is relatively minor in the grand scheme of things, is that film review aggregator Rotten Tomatoes is holding back on reporting the Tomatometer score for Justice League.
The word is they want to hold off reporting until Thursday, after they reveal the score on their Facebook Live streaming show See It/Skip It.
The conspiracy theorists aren’t convinced; they think this is all a plot by Warner Brothers, who own a stake of the company that owns Rotten Tomatoes, to keep the world from knowing how bad their Justice League movie really is until after everyone’s already paid for their weekend tickets. (The movie rolls out Friday.) Because if the world knew how bad this movie’s Tomatometer score was, the fans might not pay money to see it!
As it turns out, the Rotten Tomatoes score was leaked earlier today by accident on their Flixster app and surprise, surprise, it’s not that good: it’s 48 percent! Rotten!
So this latest DC Extended Universe effort is not off to a good start; still, it will probably make a ton of money anyway because everyone is in love with Wonder Woman, who is in the cast.
From what we are seeing, critical consensus seems to be that director Zack Snyder is the one responsible for making a hash of this movie, but the end product is still better than Batman v. Superman.
It has not been a stellar fall, or for that matter year, for Hollywood at the box office. Come to think of it, it’s been a bad year for them in every way imaginable, not just at the box office, but what happened to Suburbicon this weekend kind of is the exclamation point to all of what is happening.
Directed by George Clooney and with screenwriting from the usually-good Ethan and Joel Coen, and starring Matt Damon, Suburbicon crashed to a $2.8 million domestic weekend opening to be one of Paramount’s biggest flops of all time. Bad reviews and bad word of mouth all contributed. Of course, it is amusing to see the reaction at Breitbart who are enjoying seeing that big liberal Clooney go down the drain at the box office, not to mention the rest of Hollywood.
No doubt, fatigue with liberal politics has got to be another big factor contributing to this overall, effing box office debacle. Any time you see the name George Clooney associated with any production out of Hollywood these days, and you automatically think “politics”. At which point, most ordinary moviegoers run to the exits. But beyond Clooney’s involvement, I think the real problem is that going to the cinema to watch this movie simply did not look to most people like it would be the best use of roughly two hours of your life.
Is there any good news left for Hollywood?
Yes: November is two days away. Things ought to pick up at the box office this month, surely (Thor: Ragnarok, Justice League, etc.).
I guess the biggest news is still the fallout from all this Harvey Weinstein sex harassment/ sex assault scandal. It seems like every day there is a new story where some actress comes out with some new accusation/revelation about Weinstein. (Sean Young was the latest one the other day.) And of course the piling-on is on, with a lot of other people getting caught up in this scandal just for making jokes about it: ie. James Corden, Al Michaels, etc.
Weinstein has since been kicked out of the Academy and is now in sex rehab. From the reports, that hasn’t gone too well, either.
Personally, I haven’t had a lot to say about this scandal because there really isn’t any more that I could add that has not already been said by other people. I guess my surprise is that Weinstein was able to get away with his behaviour for as long as he did, because the bad stories about Weinstein have been out there for a long, long time — and not just with these sex allegations. It’s also been his tyrannical way of running his business and treating people in general, all of which has been widely reported and written about for years.
I think what it really comes down to is the fact that he had the power and everyone was afraid of him — afraid that if they stood up to Weinstein and his behaviour, that their movie projects would be killed and their career hopes ruined. Plus, I also think a lot of rank-and-file people in the movie industry felt powerless to change the situation, so they put up with his nonsense regardless of how they really felt about it.
Now, I think a lot of folks in Hollywood have finally reached the point in their lives where they feel they’ve got nothing to lose anymore by speaking out against Weinstein in the press, and so that is why you are seeing what you are seeing now. Anyway, good riddance, Harvey Weinstein. I find it fitting that this whole Weinstein implosion happened the same weekend that the top movie at the box office was a horror flick called Happy Death Day. $26 million cool ones last weekend.
The story for this weekend at the box office is that it looks like it will be another big flop weekend. The latest bomb is Geostorm, a bad-looking weather disaster movie starring Gerard Butler about what happens in the future when the systems designed to control the climate all go haywire. This kind of looks to me like something right out of Roland Emmerich’s lousy The Day After Tomorrow, which was another weather disaster movie. That flick was terrible, and this effort looks similar to that. Bottom line is that Deadline Hollywood is reporting this movie is going to get clobbered. The expectation is this will rake in only about $13 million this weekend after costing over a hundred million to make.
I notice Breitbart is having fun blasting this movie for its left-leaning propaganda storyline. The real problem for Geostorm that it is a victim of poor timing. Who knew that this flick would be scheduled for release immediately after a whole series of terrible real-world natural disasters? Earthquakes! Hurricanes! Floods! Moreover, the real-life damage was truly extensive. This is yet one more instance where real life is unfortunately far more harrowing an experience than any disaster movie.
I’m stunned, folks. The new Tom Cruise movie American Made, with its CIA and drug smuggling storylines, finished with a domestic haul of $16.85 million and lost out to the horror flick IT, which is back on top of the box office with a haul of over $17 million, projected to finish just ahead of Kingsman: The Golden Circle.
(Update– Monday: Actually, based on today’s figures it looks like the Kingsman sequel pulled out a No. 1 finish after all.)
This ranks among Cruise’s worst opening weekends of all time. Moreover, according to that Deadline: Hollywood article I linked to, only nine percent of people under age 25 bought tickets to see Tom Cruise in this movie.
Needless to say, some major finger-pointing is now on about this effort, and how badly it has done with Cruise in the lead role. But quite honestly, I don’t get it! This looks like a movie I would actually want to see. Moreover, it is doing very well at Rotten Tomatoes with a score of 87 percent! Yet, audiences rejected it anyway, at least in the domestic market.
I guess all the news stories that ran this summer about how influential Rotten Tomatoes is in convincing people to go to the movies were a bunch of “fake news”, then. Anyway, that’s that.
Been reading The Wrap about the full-on implosion happening this week at pioneering film-geek website Ain’t It Cool News.
It seems site founder Harry Knowles (seen above) has stepped down in disgrace over sexual assault allegations he is facing. Meanwhile, two of their top writers, Eric Vespe (“Quint”) and Steve Prokopy (“Capone”) have disgustedly quit because they want nothing whatsoever to do with this. Well, if Quint and Capone are out of there, then so am I. Done.
Honestly, this looks like another Jian Ghomeshi type of situation (the disgraced CBC host who also left over sexual harassment allegations). It also could be the end of the site as we know it.
The best thing about it, frankly, were the witty comment sections that ran below all the movie reviews and news. But now it sounds like those are being taken down, too, because of vitriol from readers over Knowles and his conduct.
It’s too bad Ain’t It Cool News is in total chaos, because it was a good site for a long time, but things definitely sound messed up at the top.
For those looking for any relief from this weekend’s divisive, Trump-inspired, bend-on-one-knee football politics, look no further than the movie box office news where Kingsman: The Golden Circle toppled IT with a domestic haul of $39 million.
On the flip side, it was a disappointing haul for Lego: Ninjago, the latest effort of that franchise, at a little over $21 million.
In other movie news, you might be surprised to hear this but the top-grossing superhero movie of the year worldwide happens to be Spider-Man: Homecoming. I know that is a surprise to some people given all the hype about Wonder Woman, but the international markets outside North America really came through for the Marvel flick bigtime, and its overall haul is now past the $874 million mark.
In other interesting reading, here are the ten biggest flops of the year.
That is all.
This weekend, IT took the top domestic box office again with a haul of $60 million, but the story really was the debacle for Darren Aronofsky’s effort “mother!“, starring Jennifer Lawrence and Javier Bardem. It bombed completely at the box office with a low $7.5 million haul thanks in no small measure to some epic-bad word of mouth.
Audiences were turned off so completely by the storyline — an arthouse-y horror-psychological thriller with heavy religious overtones and lots of violence, apparently — that this movie sunk to a CinemaScore of “F”. You cannot get much lower than that, folks, in measuring audience reaction.
What is odd is this is completely at odds with critics’ reactions. According to Rotten Tomatoes, this movie is at 69 percent! That’s 69 percent of film critics claiming they liked this movie and recommend you go and see it. Yet the audience’s reaction is more like a zero percent!
I could not put a finger on why the audience reaction was so extreme. And quite honestly, I don’t want to head to the cinema to find out, because this sure doesn’t look like my kind of movie anyway.
I don’t know about you, but there is only so much storm disaster news I can take. So, instead, here is the box office news: the scary, creepy-clown IT movie opened to a September/October domestic record of $123 million! This is also an R-rated horror movie record!
This haul really is unheard of for this time of year, which usually ranks among the worst times for movie box office because so many people are going back to school/work or spending their weekends attending football games. This weekend gross is particularly remarkable because almost the entire state of Florida as well as much of Puerto Rico were out of commission due to Hurricane Irma evacuations and power blackouts. And yet this movie still made $123 million! What a performance this is.
That tells you something about how much people wanted to be frightened at the movies. I guess what’s happening in the world right now isn’t frightening enough.
The $13.4 million haul of The Hitman’s Bodyguard topped a dismal weekend, the worst Labor Day weekend since the late Nineties. And this entire summer season was the worst summer movie box office in 25 years!
I notice this piece at right-leaning Breitbart was gleefully dancing on Hollywood’s grave, talking about how “Hollywood’s problems are permanent and deep“. I’m not so sure about that — a lot of the problems are fixable, in my view. But I do believe Hollywood is out of touch with the masses right now, generally. The political slant is turning lots of people off: at least half the US population, by my estimate. Hollywood needs to quit shoving their liberal politics down people’s throats, and ought to try and concentrate on giving people what they want! Then maybe they might get some more business in the future.
It’s also true what the article says: people really are getting to be more discerning in what they will see, simply because it’s not worth the hassles anymore to go to a cinema and then have it turn into a subpar experience.
Anyway, as I said before, November and December ought to be better. Then again, how many Star Wars and Marvel and DC movies can you stand? Hollywood needs to come up with some fresh ideas, right now.
I also decided I was sick and tired of life in Saskatchewan. So last night, I drove to Saskatoon and was out on a date with my hot blonde girlfriend Charlize Theron at the movies.
All right, I confess: I wish she was my girlfriend. Charlize was actually in the movie. Atomic Blonde.
I can definitely recommend it to spy movie fans. Women will like this movie because it’s feminist; guys will like it because Charlize spends 90 percent of the movie absolutely beating up on people and another 10 percent getting naked and having sex with another woman.
I’m sorry, folks, but this is exactly what guys like to see! Sex and violence! Anyway it’s a good way to get your mind off of flooding news.
And if you are interested in Berlin at the end of the Cold War, and the rock music of the time period, that’s another reason to like it. Can you believe 1989 is 28 years ago already? And speaking of the passage of time: Princess Diana died 20 years ago Aug. 31.
News is that Wonder Woman is now on track to win the domestic box office for the summer months, overtaking Guardians of the Galaxy Vol. 2 with a haul now estimated at over $400 million. It also is a record haul for a movie with a female director (Patty Jenkins).
In related news, Wonder Woman cleaned up at the Teen Choice Awards yesterday, with Gal Gadot winning for Choice Action Movie Actress.
In other box office, Annabelle: Creation won the weekend with a haul of $35 million.
And there is some news from the set of Deadpool 2. The movie starring Ryan Reynolds has been shooting in Vancouver and there was a lot of local excitement about it last week, with lots of TV news coverage about it and so on. Unfortunately, the news is all bad today because a stunt woman has been killed in an on-set motorcycle crash.
That’s all for today.
Here is the weekend box office news with word that The Dark Tower finished in first place with a relatively modest $19.5 million domestic haul, edging out two-time defending weekend champ Dunkirk. Meanwhile, Oscar-winning director Kathryn Bigelow continues her trend of making great movies that nevertheless aren’t big box office winners at the movie theatres as Detroit, set in the ’67 riot year, finished with $7.25 million.
Hey, it’s now August. Nobody should be surprised by these sorts of numbers.
This weekend was a box office battle between Dunkirk and The Emoji Movie and it was Dunkirk that ended up first, for the second weekend running, by roughly $28.1 mil to $25.6 mil.
It’s incredible The Emoji Movie did so well given how appalling the reviews were — so much so that entire articles are being written about why this piece of junk did as much business as it did. By all rights it should have done no better than $10 or $15 million, based on the reaction to it.
In fact, a few days ago this awful flick was running at zero percent at Rotten Tomatoes. But I guess a few idiot movie critics were desperate to get themselves quoted in ads for this movie, so they gave it positive reviews and it’s now up to eight percent.
Honestly, this is the type of movie that you could tell would be awful just looking at the trailers. My guess is that the people who made it must have thought “you know what? Hollywood got away with making The Lego Movie, and it even got positive reviews, so we couldn’t do any worse with The Emoji Movie!” Uh, right.
In the meantime, I can’t believe this total pile of ____ actually did better than Charlize Theron in Atomic Blonde, which ran fourth with an approx. $18.5 million haul. That is sad, ladies and gentlemen. Not enough North American moviegoers have taste, clearly.
The summer movie season is showing signs of winding down soon as Dunkirk debuted this weekend to $50.5 million at the domestic office, good for top spot.
This Christopher Nolan effort has been getting rave reviews for the most part, however, and is being touted as even a potential Oscar contender. So I expect it will do good business for a while, especially since there isn’t going to be a ton of major competition over the coming weeks.
But this movie has not escaped the usual politically-correct controversy: some idiotic, widely-ridiculed review ran in USA Today in which a movie critic said this movie had (a) not enough women, and (b) not enough people of color!
Aaargh! Could someone tell this critic that this was World War II, and that these were Brits who were being evacuated? As well as the French, and the Belgians, and even Canadians, among others? Anyone who has any knowledge at all of World War II knows that during that particular time there were no women in combat roles — lots of them were instead drilling rivets into fighter planes and doing other such jobs — and few people of color. At least, not in that part of the world. This wasn’t the Pacific, this was Europe, for $&@! sakes, man! World War II!
My advice to these uptight Americans is: if you are bent on seeing women or minorities in a war movie, watch something about the Vietnam War or some other conflict more to your liking, because clearly Dunkirk is not for you. Honestly, folks, what a joke. What a farce.
In other box office news, Girls Trip hauled in $30.4 million while director Luc Besson’s Valerian and the City of a Thousand Planets, starring Dane DeHaan and supermodel Cara Delevingne, crashed to $17 million.
I have a lot of movie news I want to get to today:
First, it was a big weekend for cinematic chimpanzees as War for the Planet of the Apes won the domestic weekend box office at $56 million, beating Spider-Man: Homecoming which fell all the way to $45 million. I guess “franchise fatigue” didn’t show up last week for this latest re-booted Spider-Man movie, but it sure did this weekend with a 61 percent drop. Also, while it was a decent showing for the Apes, it was still lower than the $72 mil opening for Dawn of the Planet of the Apes.
In another astute observation that any chimpanzee can figure out, CNBC reports superheroes are single-handedly saving the box office. (Note: it appears Wonder Woman may win the entire summer box office race now.)
Personally, I don’t think I am all that enthusiastic about the Apes. What I like are the spy movies, and I’m definitely interested in this Atomic Blonde movie starring Charlize Theron, who is being billed in the trailers as the “female James Bond”. (I thought Blake Lively was supposed to be the next “female James Bond“; whatever.)
This Atomic Blonde movie is going to be hot stuff, apparently. Charlize has a big sex scene in the movie in which she makes out with another woman, and Charlize was quoted as saying “I just loved it.”
Well, well, well. Atomic Blonde rolls out July 28th.
In other actress news, I read this piece in TMZ about the movie Quentin Tarantino wants to do about the Manson murders, in which the sister of Sharon Tate said she prefers to see Margot Robbie cast in that role instead of Jennifer Lawrence, saying Lawrence isn’t “pretty” enough.
Well, that statement got the usual uptight people upset, yet again, but the cold hard truth is she’s right! The hard reality is that anyone playing Sharon Tate is going to have a tough act to follow in any event because, let’s face it, the real live Sharon was absolutely, incredibly gorgeous. She really was/is a timeless beauty — and taken way too soon.
Anyway, I think Margot Robbie is about as good as you’re going to get to play Sharon Tate, because she is gorgeous. That’s my vote, and too bad Jennifer Lawrence.
Finally, I don’t know about you but I was quite despondent to hear the news that Martin Landau had died this weekend.
Of course, he had appeared on Mission: Impossible and Space: 1999, but he also saw his career revive years later when he appeared in movies like Ed Wood, playing the legendary Bela Lugosi. That’s probably my favorite Landau role of them all. Later, he was in Entourage playing producer Bob Ryan.
That’s all for the moment.
Here are the reports from Deadline: Hollywood about the winning weekend for Spider-Man: Homecoming, the latest “reboot” of the Spider-Man movie series, which opened to a massive $117 million domestic for Sony plus another $140 million internationally.
Obviously, “franchise fatigue” is certainly not impacting Marvel in any way, shape or form this summer, based on these latest numbers.
The summer movie box office has not been kind to a lot of familiar franchises and sequels. The two big hits of this summer so far have been Guardians of the Galaxy Vol. 2 (now at $380 million domestic) and Wonder Woman ($318 million). Most of the others have ranged from mildly underperforming, to big flops in terms of gross.
Just now, I read a report in Variety that said Transformers: The Last Knight opened in first place this weekend with a haul of $69 million. Normally, any studio ought to be pleased with a haul like that, but this is the worst domestic opening for this franchise in years, maybe even ever if this number holds up, after opening hauls around $100 million for previous efforts.
The Variety article was blaming franchise fatigue, yet again, which doesn’t surprise me. Surely, people have got to be tired of this god-awful series by now. Others are blaming poor word of mouth due to bad Rotten Tomatoes scores, which would be the first time in human history that a bad Rotten Tomatoes score made any negative impact at all on ticket sales for any Transformers movie.
Oh, well, it sounds like the international box office will save this particular effort and give the folks at Paramount enough reason to serve up Transformers 6.
Box office news: Cars 3 has halted Wonder Woman’s two-week reign atop the domestic box office. Lightning McQueen and the rest of the race cars finished with $53.5 million to the DC superheroine’s $40.8 million.
You’d think Disney would be pleased. Unfortunately, this is the worst opening ever for a Cars movie. The first Cars opened to a little over $60 million and then the sequel Cars 2 got $66 million! Maybe people are finally believing the many critics of this series, who have continually showed little enthusiasm for this Pixar line of animated movies compared to others from the studio. Then again, maybe people are simply bored with sequels in general. Or maybe people are bored with all things NASCAR. I dunno what the deal is.
Anyway, it could’ve been better. That’s all for the moment.
Here is the story from Deadline Hollywood about the $100 million-plus domestic opening weekend for Wonder Woman, which is at 94 percent at Rotten Tomatoes the last time I checked.
The box office results are coming in for this Memorial Day weekend and it looks as if Pirates of the Caribbean: Dead Men Tell No Tales came in lower than anticipated. Their weekend haul is $62.2 million domestic with a four-day haul of $75 million.
While the international numbers are quite a bit better, Deadline Hollywood points to this as evidence of franchise fatigue. Also, the new Baywatch movie has completely gone under water coming in at $22 million over four days and $26 mil for five days.
I notice they are blaming the bad Rotten Tomatoes scores for the lousy numbers for these two movies. Maybe Hollywood should blame “word of mouth” instead, because honestly, that’s what it is. No one particularly wanted these movies made. While I thought there would be an appetite for another Pirates movie, that is clearly not the case. And not even the fans of the TV series wanted this Baywatch piece of junk.
The thing is, every year, people say they want to see something original at the movies. The fans want originality! And yet every summer, Hollywood turns around and churns out the “same old crap”.
Opening later this coming week: Wonder Woman. Maybe this will do better, but I notice right now that some theatres don’t want male paying customers at screenings of this movie.
That’s it for now; now back to my annual Memorial Day weekend auto racing TV binge-watching.
I didn’t expect this new Baywatch movie (opening Thursday) to get good reviews, as most film critics are uptight snobs about this sort of fare and the TV series it is based on was absolute cheese. Yet, even by the usual low Baywatch standards the reviews are really awful. It’s running at 20 percent at Rotten Tomatoes! (Update: they’ve dropped to 18 percent as of Friday!)
Word on the street is this is an unfunny, gross-out type of movie that not even Dwayne Johnson can save. I guess no one ought to be surprised.
And this is not the only new movie getting pelted. The film critics are already blasting away at the new Pirates of the Caribbean: Dead Men Tell No Tales, due to open Friday, which is running currently at 31 percent!
Oh, well, maybe this is a good week for moviegoers to stay home and save their money.
The weekend box office totals are in for what turned out to be the tightest, closest race of the summer blockbuster season so far. According to the numbers, Alien: Covenant has beaten out Guardians of the Galaxy Vol. 2 with a haul of $36 million, a difference of about $700,000.
But this could hardly be called a fabulous showing for the Alien franchise, and my guess is that my prediction that this,would be in the top 10 for the whole summer is already up in smoke. I’m thinking now that Dunkirk gets there instead. Anyway, the analysis and post-mortems for this flick are now on.
A big week of releases is ahead as Baywatch opens Wednesday followed by Pirates of the Caribbean: Dead Men Tell No Tales on Friday.
Every year, it is usually around week two or so of the Summer Blockbuster Season that the first big bomb shows up at the domestic box office. This time, and right on schedule, it is King Arthur: Legend of the Sword, which only made — what, $14.7 million? And the budget was reported to be $175 million?
This, my friends, is horrendous. It’s hard to think of any other upcoming release that could possibly be this big a flop for the rest of this summer.
Of course, the director was Guy Ritchie, who I still haven’t forgiven for what he did to The Man from U.N.C.L.E., which was another big fat flop under his watch. But by all accounts U.N.C.L.E. was still a better effort than this, running at only 27 percent at Rotten Tomatoes.
As for this weekend’s domestic No. 1, it was once again Guardians of the Galaxy Vol. 2, coming in at a cool $63 million.
If you were at the movies this past weekend, chances are you were there to see Guardians of the Galaxy Vol. 2, which hauled in a domestic total of $145 million.
So, blockbuster season has indeed begun. Also, I already am on record in predicting this movie will win the summer box office, ahead of Spider Man: Homecoming.
It opened Friday and as predicted by everyone it is cleaning up with a $100 million domestic weekend and $532.5 million worldwide, including all-time record weekends in 17 markets. (Update: it was China that powered this movie to the record worldwide opening of all time.)
Why did this movie clean up? Easy: Vin Diesel, Dwayne Johnson, and cars — lots of them. This is the eighth Fast and the Furious movie and this franchise may never end, even without Paul Walker (spoiler alert!). That’s it for today.
If you want to do something different from watching TV, guess what: going to the movies is not going to help! Movie theatres are certainly the “home of the TV retreads” these days. All the shows that used to be on your TV set can now be seen on the big screen in the cinema. Aren’t you excited by this prospect? No?!
Fortunately, fans have sent Hollywood a message and have spurned the awful-looking CHIPS, the retread movie version of the old NBC television show about the California Highway Patrol that had starred Erik Estrada and Larry Wilcox. Neither Dax Shepard nor Michael Pena could save this latest critically-panned turkey, which earned a lousy $2.6 million on Friday night. Its projected weekend haul is an awful $7.3 million! (If you are wondering, it was Beauty and the Beast that cleaned up again this weekend, with Power Rangers second. Power Rangers — that’s another ex-TV show revival.)
I wonder if this abysmal box office showing by CHIPS could be a bad sign for Baywatch, another upcoming revival of yet another remarkably cheesy TV series. Maybe Dwayne Johnson’s involvement will save it. Or maybe guys will want to check out gorgeous Kelly Rohrbach and Priyanka Chopra. Anyway, they released their trailer this week and since I have nothing better to do today, I thought I would share it here.